Biography
General presentation
Mezzo-soprano and harpist, Sophie first turned to opera, both in the repertoire and in contemporary creations. After studying singing at the Guildhall School of Music and Drama in London and At the Universität der Künste in Berlin, she performed roles throughout Europe, in the United States and in Asia: Orfeo, Orfeo ed Euridice by Gluck in Berlin, Galathée, Pastorale by Pesson at the Théâtre du Châtelet, Re-walden by A.Markeas at the EMPAC in New York, Nancy T’ang, Nixon in China by Adams at the Théâtre du Châtelet in Paris. Théâtre du Châtelet, Candelas dans El Amor Brujo de Falla, Jacqueline, Le Médecin malgré lui de Gounod à L’Opéra de Saint-Etienne, title role in Bizet’s Carmen, then title role in Saint-Saëns’ Frédégonde at Saigon Opera in Vietnam, Ulrica in Verdi’s Il Ballo in Maschera at Orvieto Opera in Italy, etc…
A composer and improviser, Sophie is also a creative force. She began writing songs at an early age, accompanying herself on the harp, which she performed in a number of concerts, before composing for the performing arts.
Artistic director of the Des Lieux & Des Êtres company, Sophie’s desire to bring artists together has led her to create shows based around the voice, offering a variety of aesthetic approaches and blending repertoire with her creations.
While in lockdown, she joined J.Pontier’s composition class at Pôle Sup’93- CRR d’Aubervilliers and obtained her DEM in June 2023. Sophie then perfected her skills in Aurélien Dumont’s class at the Créteil CRR.
Sophie writes various pieces for prestigious ensembles such as Court-Circuit, 2E2M and Accroche Note.
The Philharmonie de Paris commissioned her to create “Solstice-chant à la lune” in March 2023, a lyric poem that she created alongside the Multilatérale ensemble.
Sophie was then named laureate of the “Territoires en création” scheme launched by theArs Nova ensemble, which commissioned her for the 2023-24 season. These included the creation of a lyrical work for contralto voice, string quartet and piano: “Sur l’étoffe de mon âme”, based on a poem by Tahéré Qurrat al-Ayn, and published by Les Editions L’Octanphare. This work was premiered at the Electrosession festival in Saint-Palais sur Mer in March 2024.
She was then commissioned by the Ars Nova ensemble to write a piece entitled Mosaïque: a solo for bass clarinet, which was premiered by Eric Lamberger: “Sixième sens” in April 2024. The ensemble renewed their confidence in him by commissioning a new work: “Vision”, based on texts by Hildegard Von Bingen. This time for choir, organ and instrumental ensemble: saxophone, brass quintet, accordion and percussion, it will be conducted by Jérôme Pillement and premiered as part of the Royan-Orgues festival in October 2024.
In autumn 2024, Sophie began a collaboration with the ensemble L’Instant Donné, for whom she wrote a quartet for flute, bass clarinet, violin and cello: “Prima Materia”, premiered in December 2024 at the CRR in Créteil. Next, Sophie creates and performs music with her harp for Amos Gitaï’s show “Golem” at the Théâtre National de la Colline in Spring 2025, followed by tours to Teatro Mundi in Pompeii and Teatros Del Canal in Madrid in 2026.
In July 2025, the Ensemble Intercontemporain premiered its piece “Sixième sens” at the Institut Suédois in Paris. This piece marked the beginning of his collaboration with Editions Musicales l’Artchipel which will publish his forthcoming scores.
The Centre Présence Compositrices commissioned her to write a work for quintet and young female choir, to be premiered by the Nota ensemble and the Brignoles conservatory choir in May 2026.
To celebrate its 45th anniversary, theOrchestre National d’Auvergne Rhône-Alpes commissioned him to create a festive piece to open the concert program on September 25 and 26, 2026 at theOpéra Théâtre de Clermont Ferrand and on September 27 at the Opéra de Vichy.
Sophie is named finalist in the “Unanimes” international orchestral composition competition organized by the AFO. TheOrchestre Philharmonique de Radio France will premiere her work “Animal” on October 1, 26 at Studio 104 of the Maison de la Radio.
The Maison de la Radio also commissioned “Enigmes” for the Radio France choir, piano and percussion, to be recorded and broadcast in late autumn 2026 on Anne Montaron’s program “Création Mondiale” on France Musique.
Main achievements
- “Tout est un” Orchestrated lyric poem for mezzo-soprano voice and orchestra created by Sophie Leleu and the Créteil CRR orchestra conducted by Florent Didier – December 2025
- “Autre Terre” solo quartet for viola, harp, piano and percussion created by L’Instant Donné – November 2025
- “Prima Materia” solo quartet for flute, bass clarinet, violin and cello created by the ensemble L’Instant Donné – December 2024
- “Vision” Creation for choir, accordion, organ, brass quintet, soprano saxophone and percussion on text by Hildegard von Bingen – commissioned by Ars Nova – Festival Royan-Orgues – october 2024
- “Sixième sens” Solo for bass clarinet – Ars Nova Mosaïque commission created by Eric Lamberger – April 2024
- “Sur l’étoffe de mon âme” lyric poetry for contralto voice, string quartet and piano on poetry by Tahéré al Qurat Al-Ayn – commissioned by Ars Nova – March 2024
- “Le feu & l’eau” melody and repertoire arrangement for a new program of folk songs for harp and vocals, first performed at the Centre culturel in Sarlat-la-Canéda, then on solo tours -July2023
- “La chambre secrète” created by the 2E2M ensemble directed by Léo Margue (flutes, bass trombone, percussion and double bass) – June 2023
- “Solstice-chant à la lune” created by the ensemble Multilatérale, written to a poem by the Persian poet Houshang Ebtehâj – commissioned by the Philharmonie de Paris for contralto voice, harp, piano, violin, cello and clarinets – March 2023
- “Heureux celui qui n’a pas de Patrie” lyric poem created by the Accroche Note ensemble on a text by Hannah Arendt for soprano, clarinets, cello and electric guitar – June 2022
- “De Femmes en Femmes” Concert program and album: arrangements of Sephardic melodies for voice, harp and percussion mixed with compositions, CD distributed by Absilone – November 2021
- “Ode à la terre” lyric poem created by the ensemble Court-Circuit and Eliette Prévot on a text by Amina Saïd for light soprano, oboe, French horn, viola and percussion – June 2021
- “Souffle” Mixed piece created by Philippe Récard (Ars Nova ensemble) and Youssra Khechai for bassoons, cello and tape – February 2021
- “En-Vie” Music and libretto for circus artist Lucie Lastella – commissioned by La Ferme du Buisson- scène Nationale in partnership with Circus Next, Le plus petit cirque du monde, Espace Périphérique – La Villette – March 2020
- “Return, forgetful muse” song written on William Shakespeare’s sonnet 100 for voice and harp – August 2019
- “L’Envol d’Arzach” Lyrical epic for mezzo-soprano voice, harp and percussion – November 2017
Current and future projects
The Présence Compositrices festival commissioned Sophie to create a vocal piece for soprano, women’s choir, nickelharpa, cello and Tamtam based on a poem by Gersende de Sabran, a 13th-century trobairitz, to be premiered at Abbaye de la Celle on May 2, 2026.
Then Sophie is selected for the final of the Unanimes symphonic music competition organized by the AFO. She will write a work for orchestra to be premiered on October 1, 2026 by theOrchestre Philharmonique de Radio France.
Sophie was commissioned by Radio France to write a work for mezzo-soprano voice, large choir, piano, celesta and percussion, to be recorded and broadcast on Anne Montaron’s program “Création Mondiale” on France Musique at the end of 2026, with the Radio France choir, Caroline Cren on keyboards and Emmanuel Jacquet on percussion.
Diplomas
After studying drama (ENM de Noisiel) and Celtic harp, which she learned in the oral tradition with D.Donon, Sophie Leleu obtained her Bachelor’s degree from the Guildhall School of Music & Drama in London , in L.Sarti’s singing class. She then moved to Berlin to study singing at theUniversität der Künste. On her return to France, she completed a Master’s degree specializing in the art of the Lied at the CRR de Metz in the class of U.Reineman. She continued her vocal training with C.Mathias, then perfected her skills with L.Sarrazin.
She then entered J.Pontier’s composition class at the Pôle Sup’93-CRR in Aubervilliers and obtained her DEM in June 2023, before entering Aurélien Dumont’s advanced class at the CRR in Créteil in September 2024.
